Tuesday, July 3, 2012

Koa buttons and koa bridge pins added on my dream uke.

I just added some new koa buttons onto my Kanilea's Grover tuners. I had previously swapped out the black stock buttons for some mother of pearl as a quick fix while I waited for some koa ones I had ordered.

These are the stock tuners that came with the ukulele.  And this is how the headstock looked with the white mother of pearl buttons on the tuners.

I am actually really happy with the results. I ordered two types of tuners from Taisamlu on eBay. The first were some gold ones with koa buttons, the others were a silver plate style with koa buttons.

The first set arrived yesterday (not too bad -- only about a week's shipping) and three of them were a chocolate brown color, with one more of a golden brown. Then today the plate style ones came and low and behold, they were three more golden ones and one darker brown.

I tried both the brown and the golden colored ones, and I think the lighter set are a better match for the coloring on my headstock. I didn't use the actual tuners he sent me, just the buttons, so I popped the pearl buttons onto the gold set, and used the four lighter koa buttons on the Grovers. The darker koa buttons I kept on the silver plate style in case I ever decide to sell them or change up the look of this, or another uke.

These are the silver plate style ones:

This is how the lighter koa ones look on my uke's headstock:

Finally, this is a portrait of my uke, with all her mods in place: koa buttons, and koa bridge pins (with abalone inlay dots).

I thought I couldn't love my Kanile'a Island Inlay tenor any more. But I am glad I got the koa buttons. The shipping was super fast and it was a cost effective way to make my uke the way I wanted it, since the buttons cost so much less money than the Waverly tuners did. In addition, I don't have to worry about whether it voids my uke's warranty as I didn't drill holes or replace the actual tuners, just the buttons.

I know a lot of people wouldn't care for the koa buttons, but now my dream ukulele is a dream come true for me. I would highly recommend the $20 expenditure if anyone is contemplating using wood buttons on their uke. Admittedly, I had to order two sets to get four that sort of matched though (even though the pictures don't really show that), as otherwise I would have had one much darker or lighter than the remaining tuners.

Friday, June 8, 2012

About four years ago when I started playing the ukulele, the first "real" uke I bought was my Kanilea K2 tenor.  I really wanted one of their island inlay tenors but couldn't afford it at the time.  Ever since then, I've been fortunate enough to have some great ukes, but I couldn't get that island inlay one out of my head.  Still, I just couldn't justify having two Kanilea tenors. 

So a couple of weeks ago I was browsing the Hawaii Music Supply website and happened to notice that they had a sale on one that they had in stock.  I mentioned it to my spouse as a joke, and asked for it as my anniversary present.  To my shock, I was told that if I sold my current Kanilea tenor (I have a one uke in, one uke out policy now), the balance owed would in fact be my anniversary present.

So I ended up selling my K2 tenor (thanks Mike I hope you like it!) and bought the new one from Music Guy Mike last Friday.  He ended up dropping it off at the Kanilea factory this week so that Joe could install a pickup in it, and yesterday I took a bus out to Kaneohe and got my new baby. 

I'm not going to lie, when Joe opened up the case to show it to me, I got incredibly choked up and almost started to cry.  This uke had been my dream for so long and I couldn't believe it was finally mine.

I am still in Hawaii so I don't have any photos taken of it yet, other than the one Kristen took yesterday (and put on Kanilea's twitter and Facebook), and the ones from the Hawaii Music Supply website.  I'll take more when I get home and put it in its humidified cabinet next to its sibling ukes.

I am naming her "Ailana" which means island in Hawaiian, due to the island inlay.  I know it is probably too much bling for some folks but I love the abalone.  I ended up replacing the stock plastic bridge pins with some koa ones that I bought years ago.  They are a little too loose in this uke so I just ordered some rosewood w/ abalone that I will use instead.

So far yesterday I tried four types of strings on it (I brought six types with me to try out).  First, I tried my fave PhD (that I use on my KoAloha and Kamoa) -- to my surprise, they seemed kind of muddy, while they are great on those other ukes.  I then tried my old standby Worth CHLGHD and both A strings I tried snapped on me when I was tuning it.  The Worth CMLG were not bad but they were a bit too tinny.  On a lark, I tried Worth BTLG strings.  I usually find them too warm, but I was pleasantly surprised to find they sounded good.  They were loud and had a nice clarity.  So for now, they are what I will use until try some Fremont Blacklines (that I forgot at home).

First impressions, the curly koa is nice eye candy.  The neck is super smooth and fast.  I haven't tried the pickup since I don't have an amp with me, but I will at home.  The tone is not quite as good as my KoAloha, but seems to rival my Kamaka and I much prefer the glassy UV finish to the Kamaka and KoAloha finish.  It isn't as loud as the KoAloha either but I don't mind that.

I just want to thank Music Guy Mike so much.  Not only did he get the uke to Kanilea but he delivered a hard case to my hotel in Waikiki last night since he forgot to bring it to Kaneohe.  He really went above and beyond and his customer service was amazing.

I also want to thank Joe for installing the pickup for me in such short order so I could pick up the uke before I leave Oahu tomorrow.  He and Kristen are such wonderful people and I can't thank them enough for letting me bug them with calls and emails.

Until I can take some photos at home, here are the ones from the factory and the HMS site.




Saturday, April 21, 2012

Kahi Ko'ola Uhane

Ever since I was a kid, my family has taken vacations to the island of Kauai.  Over the course of those trips, I discovered I had a deep abiding love for this little rock in the middle of the Pacific Ocean.  Oh sure, I enjoy visiting Oahu, Maui and the Big Island but for me, there is no place on Earth like Kauai.

My family loves it so much that when my grandmother passed away, we had her ashes scattered off the shores of the island, and both my mother and I have it in our wills that we wish to have the same done for us.

I can't really explain it to someone else, why this place has such a hold on me.  But the best way I can describe it is that when I leave Kauai, I feel like someone is putting one of those heavy dentist xray shields on me.  And whenever my plane touches down at Lihue airport, or my ship sails into Nawiliwili Harbor, the weight is lifted and my soul feels complete.

I saw somewhere that the phrase "Kahi ko'olua uhane" means where the spirit resides.  For me, that place is Kauai.

So when I saw that Kamoa Ukulele was beginning to build Kauai built koa tenor ukuleles, I simply had to have one.  Well, unfortunately, I now have a one in, one out ukulele policy.  So that meant I had to sell one of my other ukes to finance (and make room) for the new one.

You can see a tiny bit of info and some photos on the Kauai Built model here.  http://kamoaukulelecompany.com/info.php?id=18

With a great deal of sadness, I decided to sell my KoAloha Pineapple Sunday.  It is a wonderful uke with a beautiful tone, but I just never played it, as the tenor style is more to my liking.  Fortunately, I was able to get a buyer, and so, this week, I went to Kamoa while I was staying in Kauai and played and looked at all nine KB-T tenors they had in stock (in the Kapa'a and Koloa stores).

I ended up choosing one, and have named it Kahi ko'olua uhane, or uhane ("spirit") for short.  First impressions are that I love the golden blonde curly koa, it really spoke to me amongst all the models there.


The tone is quite nice, though not as loud as my KoAloha tenor.  I would say sound wise, it is probably comparable to my Kamaka tenor, and sounds better than my Kanile'a (though not quite as good as my KoAloha).


These ukes come with Gotoh tuners in either a mother of pearl white or gold.  I chose the mother of pearl, and have already ordered a pearlized strap button to have installed on the uke.


So far, I have tried Worth CHLGHD, Phd and Worth CMLG strings on it.  I think I like the brightness of the Phd but the volume of the Worths, so for now anyway, I'm going to give the CMLG a go, as they seem to be a compromise between the other two.

One thing I like is that the label notes they are handmade in Kauai.  I know it is nuts, but I feel like I have a tangible piece of the island I love (though they are actually made from koa from the Big Island!)


The KB-T ukes have hand shaped Spanish cedar necks, but the remainder of the body and bridge are koa, with a rosewood fretboard.  Sam had one model with a gloss finish (which is generally my preference) but they are going to pretty much all satin finishes as he feels the sound resonates better with the satin.  The one I chose was the satin and I have to say, it has been so long since I played a satin finish uke that it feels really nice to me (see related story about changing my Kamaka from satin to gloss).

Here again is the video of Sam from Kamoa talking about these ukes.  They are not cheap, but they are beautiful, sound great, and I am thrilled to have one.  He also discusses their great new basses and electric models, but you can hear about the Kauai built at 7:25 - 8:21 on the video.


My final first impressions are that this is a very nicely made, beautiful ukulele, but probably a niche right now.  Kamoa is definitely an up and comer but for the moment, they certainly lack the name cache of Kamaka, KoAloha, Kanile'a and Ko'olau.  The price, however, is comparable to those brands.  For me, it has been a great purchase, but it probably is not for everyone.  That being said, if they end up being the 5th big K one of these days, then I'll be the even prouder owner of  KB-T #44. :)

Here is Uhane joining her fellow ukes Waimea (the Kanile'a K2 tenor), Pele (the Kamaka HF-3 tenor) and Lono (the KoAloha KTM-00 crown bridge tenor).


Saturday, March 31, 2012

A new home for my ukes, and a new uke?

My family and friends know the saga I had with the seam separations on my Kamaka, and the recent crack that developed in my Kamoa soprano, so I had purchased a room humidifier and hygrometer for my office.  My ukes used to be displayed on my wall with these really cool Hawaiian themed uke wall hangers.

Once I set up the hygrometer, I was shocked to see that my office was getting humidity readings in the 30s.  I began using the humidifier and it worked pretty well, but I was dismayed to see that I had to keep my office door closed constantly in order to regulate the humidity better.  I tried putting all of the ukes back in their original cases but just didn't have the space in my office to store them properly that way, plus it was a pain when I wanted to play them to have to drag the cases out of the closet.

So I did some research online and came across a post on Ukulele Underground by a woodworker (and UU member) who made himself a cabinet for his ukes.  He placed a humidifier inside and it managed to keep the humidity regulated, while still maintaining ease of access.  I contacted him and commissioned him to build me a cabinet for my ukes, though since he had only natural or black stains available, I told him we would stain it ourselves (to match my office furniture in a darker brown).

He built me the cabinet, and my spouse spent the next few weeks (on days off) staining and lacquering the cabinet.  Eventually we plan to build a shelf system below it to house my cases, music books, and uke accessories.

But I couldn't be happier with the cabinet.  I have all four of my main ukes hanging inside -- resting on a foam pillow I made and covered with brown fleecy felt so that they don't rattle or touch one another.  The case has the humidifiers hidden in the back out of view, and I keep the hygrometer inside where I can easily see its readout.  I'm pleased to note that it is maintaining its humidity between 45-53% on a regular basis now.  I have solved my humidity issues but been able to keep the ukes readily accessible.


In other related news, I'm heading back to Hawaii again on April 10th and I have my eyes on getting an all koa Kauai built Kamoa uke.  If I end up liking it (as I'm sure I will), I will be posting my Pineapple Sunday up for sale in order to finance the purchase of the new ukulele.  I have found that I like the sound of my KoAloha tenor the best, and the looks of my Kamaka tenor the best.  I'm hoping that the Kamoa uke will combine looks/sound to be my new favorite.  And how can I lose if it is built in Kauai, my favorite place on Earth?  I feel guilty selling the Pineapple Sunday but I rarely play it, and I have no business buying a new uke without selling one of my current ones.  Check out the video below (at the 7:20 point) to see the one I'm currently dreaming of owning.
 

Kudos to KoAloha and my new crown bridge tenor

For the longest time I have thought that KoAloha made the best sounding tenors of all the major K factories, but I really hated the bowtie bridge they used.  I had vowed I would not buy one until I found a used crown bridge tenor for sale.  Luckily for me, a guy I know decided to thin out his uke herd, and so I bought a KoAloha crown bridge tenor from him.

I strung it up with my favorite strings last night (the Worth CHLGHD set) and it settled in nicely. My first impressions are that it seems like it is much louder than my other ukes (except for my Pineapple Sunday). It sounds wonderful and I plan to use it as my traveling uke. I have been searching for a crown bridge tenor for a while, and having a one piece top is cool to boot.

My Kamaka will probably always remain my favorite (though I suppose that could change the more I play this one) because I like the curly koa appearance, and the neck and body just seem to fit me really well to make it very playable. But since I keep having seam separation issues with it I decided it probably is time to retire it from traveling, and leave it at home where it won't be subjected to lots of flights each year.

I plan to try to do a comparison of my three K tenors in the future. Though I don't have sound clips or videos, I do want to at least consider things that I would like to have known before buying one of them (weight, tuner style, neck measurements, volume, etc.)

Since I am completely incapable of playing while standing (and some would argue barely capable while sitting), I needed to get either a strap button or input jack on the uke. While I like the uke leash for my Pineapple Sunday, or while sitting, I prefer a more traditional strap when playing a tenor and standing.

So I tweeted that I wasn't sure which route to take, and Paul Okami advised I should opt for the input. Since I already have a Mi-Si in my Kamaka, I bought the new LR Baggs 5-0 for my KoAloha.

I then mentioned to him that I was going to be in Oahu for a day, and while I knew they were crazy busy, was there any way I could make an appt. to get it installed. He had me speak with Brian, who kindly accommodated me and told me he would do it for me.

So a couple of weeks ago (in crazy pouring rain), I took the bus out to KoAloha. Brian warmly greeted me and told me he would call when he was finished. I also mentioned it had a tiny intonation issue at the 12th fret, and that the A string tuner was a little tight. He told me he would look at both for me while he had it.

Before I left, Papa and Mama KoAloha came in, and Papa smiled and told me, "I remember you!" I was shocked as I had done a tour of the factory about a year ago, and that was the only time we met. I told him why I was there, and that I loved my tenor and Pineapple Sunday and he said that made his day - what a sweet man.

A few hours later, Brian called to say my uke was ready and I headed back out to pick it up. When I got there, he told me that I didn't need to pay for the install as they wanted to thank me for my loyalty to the KoAloha brand. I was thrilled and gave him a big hug.

I can't say enough about the KoAloha customer service and ohana. They truly go above and beyond. I debated about mentioning this, as I thought they might not want me spreading it for fear everyone will expect free service. I also felt a little guilty as I may end up needing to sell my Pineapple Sunday next month. But I decided to post this anyway as it is just one more example of why, when anyone asks which of the K brands they should buy, my first recommendation will always be KoAloha. I like the history of Kamaka, and the beauty of the Kanileas, but you just can't beat the customer service of KoAloha.

PS - he also fixed my A string tuner, and the intonation is spot on. He did adjust the action a bit (it is now a tad higher on the higher frets), but he did an amazing job. He also put on some of the KoAloha factory strings, and I love the clear bell tones they are providing.  Of course now I'm worried about breaking a string since I can't replace those (they don't offer them for sale) but after much research, I opted to get a set of Worth CM-LG as a backup for my next string change, as they appear to be the closest match.

Thursday, July 21, 2011

Shipped my beloved uke to the hospital.


My favorite ukulele is my Kamaka HF3 tenor.  I noticed a couple of months ago that there was some seam separation occurring on the top portion (where the bookmatching occurs) under the bridge.  I took it into the Kamaka factory and they told me that they would be able to fix it within a few days and ship it back to me.  Unfortunately, the only case I had with me was my new Kamoa -- and I didn't want to get it all dinged up so I opted to take the uke back home with me.

I tried some home remedies to rehumidify the uke, in the hopes that I could stabilize the issue until I return to Oahu in September.  I used dampit humidifiers, as well as an Oasis.  While it appeared to stabilize it a bit, I was too nervous about the uke trying to make it through a long, hot summer in Pasadena.  So I shipped it to the factory and told them the problem, in the hopes that they can repair it before I return to Oahu. 


Apparently, they have a six month waiting list, but I'm hoping since they were willing to do the repairs in only a couple of days that they will be able to fix it sooner than that.  The woman on the phone told me it could take that long but they will try to fix it before I return in September so I can pick it up then.  I'd really rather have them ship it back to me, as I sent it over in my Ameritage case (for better protection). 

While that heavy, sturdy case is much more protective than my Kamoa, it cost me a small fortune to send it back to them -- and surely will to return.  But I'd rather not have to drag that Ameritage around Hawaii for two weeks...plus, I'm in the middle of my uke lessons right now and I'd prefer to get the uke back as soon as possible so I can use it during my lessons.  I figure if they fix it within two or three weeks, I'll definitely pay to have them ship it back.  If it takes five or six weeks, I'll have them hold it until September for me.   In four weeks?  I guess I'll flip a coin.

Instead, I'm now depending on my Kanilea or KoAloha to use in class.  They are both great ukes, but they are not the uke of my heart.  I'm obsessively checking the UPS tracking number to see when it gets delivered (it is due to be delivered to the factory today), and I'm keeping my fingers crossed that they can fix my uke sooner rather than later.  Until then, I'm a sad little panda until my "Pele" returns home to me. 

Thursday, July 7, 2011

The case on cases - Kamoa, Ameritage and Kamaka

Back in January I heard about a new fiberglass ukulele case that was coming onto the market.  After doing a little research, I discovered Kamoa fiberglass cases.  http://kamoaukulelecompany.com/line/cases/  They looked like a lightweight, attractive option for those who do a lot of traveling with their ukes, so back in March I made the decision to purchase one.  Initially I intended to get a red one, but when I went to place my order, Sam (the owner) told me that I could opt for a custom color. 

Anyone who knows me knows how much I love the color teal, so the opportunity to get a case in that color seemed like a dream come true.  So I went ahead and placed my order.  After months of worrying over whether I made the right color choice, and tons of emails that I sent pestering Sam about the status of my order, I finally received the magic email from him, my case had arrived.

Fortunately, I planned on being in Kauai the next week anyway so I made the decision to pick up my new case in person - with the caveat that if I didn't like the color in person, I could opt for a red one.  I finally got there and saw it in person, and I really liked it a lot.  I wish I could capture the color in a photo better than I did (and I spent a ton of time trying with three different cameras and still couldn't adequately show it accurately). 


It is, as best I can describe it, a bright teal under direct sunlight or in bright lighting.  Which I absolutely love!  In other light, it can appear periwinkle or powder blue -- less attractive to me but still not bad.  I guess I would say when the lighting is right, I love the color.  When it is not (as in my photos), I might prefer the red.  Was it worth the wait for the custom color?  I can't say for sure, I think in the end it was, as I do really like it in the right lighting.  But would I do it again?  Probably not. I'm planning on ordering a red one for my Kanile'a rather than trying another custom option.


For starters, this is an extremely lightweight case.  I weighed it with the ukulele inside and it barely registered at four pounds.  It has four latches, which make it quite secure.  I should note, you have to take care to latch it properly. You need to push on the top of the latch before adhering the bottom portion or else it won't latch securely.  I made that mistake the first time I put my uke in it, and noticed the bottom latch wasn't closed properly and was hanging open.  Now that I know it takes no time at all to close it, but I do take care to ensure it is done properly. 

In addition to the black latches and trim, there is a black lightly padded handle.  It is made out of leather (or pleather) and is very comfortable to hold onto -- by far the most comfortable of the three tested in this review.

In addition to the hand carry option, you can choose to wear it on your back -- backpack style, or slung over one shoulder.  This is another advantage over the other cases reviewed below.  Neither of those have any option but the hand carry -- tough when you are traveling or loaded down with a lot of stuff.  (In both cases I added d rings to add a leather strap so I could sling those over my shoulder, but neither was as comfortable as the Kamoa -- which you literally could forget is on your back it is so comfortable).


The case itself is extremely compact as well.  It measures 29" long, 10.5" at its widest point, and only 4" tall.  My Kamaka ukulele fits very snugly into the case, with only 0.5" clearance at the top. I do have an input jack on my ukulele, and the case accommodates that fine. Another nice feature to the body design is the rubber feet (four of them) on the bottom of the case, allowing it to stand upright -- a feature that is a sure plus.


An additional nice feature is the small hygrometer that comes with the case.  While it may not be 100% reliable, it doesn't hurt to have an idea of the temperature and humidity readings.  The hygrometer initially was placed on the interior top of the case, but Sam decided that it was likely to scratch the headstock in that position, so it has now been moved to the bottom, under the neck portion of the ukulele.  In mine, it had not been glued in yet, allowing me to choose any position I wished, and I opted for that location. 

The padding in this case is not very plush, but it is well padded.  Unlike other cases I have owned, this one does not use a faux fur lining.  Instead, it has a velvet like interior on all the surfaces, including on the little pillow cushion the neck rests upon.

 Now, it should be noted, this case is not perfect.  Unlike the minimal storage in the Kamaka case, and the maximum storage offered in the Ameritage, there is literally NO storage compartment in this case.  None.  So if you want a case that will allow you to bring along your string winder, extra strings, tuner, etc., this may not be the case for you.  It is not a big factor for me as I usually carry a backpack to my lessons, and a carryon bag on trips.  But for those times when I do want to get away with just my case, I sewed a small, removable pouch to place inside the case, under the headstock.  It fits perfectly and snugly, and allows me to go with just the case. You can see it here, with the hygrometer that is included with purchase.




The other potential downside on this case is connected to its upside -- the shiny, pretty fiberglass.  Like a car, it is bound to get some scratches.  Now I understand that normal wear and tear will result in scratches and nicks -- I have had the case about a week and it already has some of both.  But since this case was bought primarily so that I could take it traveling, I didn't relish the idea of putting it in the overhead compartment unprotected -- for someone's wheel bag to dent or scratch it.  So I decided to make a coverbag just for those times when it is in an overhead compartment. I got a towel of matching color, cut it down to size, sewed it shut vertically and horizontally, then added a leather cord for a drawstring.  It isn't perfect, but it gives a bit of padding and protection.  Yes, I realize it is crazy to get a case for a case, and that is OCD, and I have already been told once I need medication for that, but after waiting six months for a custom color, and spending nearly $300 bucks on it, I'm not going to just toss it up there to get damaged.


All in all, this case is extremely lightweight, easy to carry (by a very comfortable handle, or the included shoulder straps), and it is a very snug, protective fit for my ukulele.  It is also a fashion statement, in a variety of beautiful colors (red, yellow, navy, silver, black or a custom option).  It is not, however, for everyone.  If you want lots of storage capacity, a low maintenance case, or you don't want to blow your budget on a case it might not be right for you.  The MSRP on these is $258 (mine cost $279 after taxes and since it was custom) but you can get them for as low as $206 on Elderly Instruments.  http://secure.elderly.com/accessories/items/KFGC4-RED.htm

For me, though, it is a great case and the only one I plan to use.  I am going to get a red one for my Kanile'a, and if my Pineapple Sunday had fit one of them (tenor or concert), I would have bought a yellow one for it as well.  Sam says they are like Corvettes - and they are, flashy, expensive, and not a lick of storage to speak of.  But they are also beautiful, unique and well worth every penny I spent.

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If the Kamoa is a Corvette, then the Ameritage Silver Series is a Hummer.  This is the sturdiest, most protective, heartiest case out there.  It has a ton of storage capacity, and it is extremely practical -- with a couple of caveats, it is very heavy, and it is not easy to carry.


The Ameritage comes only with the padded leather handle, and no strap option to speak of.  Because I do a lot of traveling, I had to come up with a solution.  So we drilled into the case and added d rings.  The screws were then covered on the inside with rubber screw cap protectors, to ensure I would not damage the uke.  I then was able to wear the case over my shoulder with a leather strap I purchased.  But if you aren't willing to do a little DIY, then be prepared to carry over 9 pounds (the weight of the case with the ukulele inside) by hand.

It is a large case, to be sure.  The length is 31", the width at its widest point is 12", and its height is 5".  This makes this case more than twice as heavy and almost five inches larger than the Kamoa case.  It will go onto airlines in the overhead compartment, but to be honest, on each trip, unless I'm flying Hawaiian Airlines, I have been nervous about its measurements.

The Kamaka fits well within this case.  There is about 1" of room at the top of the headstock, and the bottom of the case completely allows for an input jack or strap button.  The case has three latches, all heavy duty easy to latch (easier than the Kamoa to ensure closure). 


The large storage compartment (5.5" long by 5.5" wide, by 3" deep) not only supports the neck of the ukulele, but also allows for a TON of stuff to fit inside. I have fit tuners, humidifiers, strings, winders, cords, straps, you name it in that compartment.  This is one of the biggest pluses for this case to me, as it allows you to bring anything you might need all in that compartment.


The lining is very soft and plush, and provides very good protection for the ukulele as it snuggles it inside your case.  One thing to point out, when you go to close one of these cases, I recall being initially concerned as it looks as though it isn't going to close properly.  Just gently push on the top of the lid and the padding will give, allowing your ukulele case to close without damaging the uke.

The exterior is a canvas like feel, over solid wood -- while it is protective, it certainly isn't flashy or sexy like the Kamoa case.  It is, however, classy looking in the Silver Series with the charcoal canvas and silver latches and black handle.  I'm less fond of the Gold Series tan exterior with the burgundy handle and gold latches, but that is just a matter of personal preference. It should be noted, you can order these custom as well -- in whatever colors you prefer, but it isn't cheap.  

The Silver Series retails at an MSRP of $251, but you can get them a bit cheaper than that if you look around. So essentially, it costs the same as the Kamoa.  I have both but for my purposes (taking it to class, flying with it), I much prefer the Kamoa for the same price.  I know without a doubt, there will be many who feel the exact opposite.  If, however, I ever have to mail my uke anywhere this is the only case I would consider using for shipping. If you want extreme protection, and lots of storage, go for the Ameritage.  It should be noted that the Jake Shimabukuro Kamaka special edition ukes come in Ameritage cases, and that Ko'olau has used them as well.  Whether it is better or worse than the Kamoa just comes down to whether you would prefer your uke drive a Corvette or a Hummer. 

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Last, and actually least, is the "Kamaka" hard case that often comes with Kamaka ukuleles.  It is almost as light as the Kamoa and almost as functional as the Ameritage but not as good as either.  The exterior is covered with a pleather like black substance that I found peels and scratches easily.  So unless you want your case to be covered in stickers, it is going to look worse for the wear.


It has three latches, which function fine, but lack the style of the Kamoa ones or the heartiness of the Ameritage ones.  The handle is plastic, and not nearly as comfortable to hold as the ones found on the other cases.  It is the middle size of the three, with a length of 31", a width at the widest point of 11", and a height of 5".  With the uke inside, it weights 4.5 pounds, and it also lacks a strap option.  As I did on the Ameritage, I drilled the d rings with the strap attached so I could carry it on trips.

It does have a compartment, albeit a skinny one.  The compartment is as long as the Ameritage one, at 5" long, but it is only 2" high and 2" across.  You can fit a tuner and string winder in there, or a humidifier, but that is about it.  When I used this case, I used a pouch similar to that I made for the Kamoa, so I could carry extra strings and accessories.


My Kamaka ukulele fit well within the case and its plush, faux fur lining (as I suppose it should since it is the "Kamaka" case).  It did, however, have the most excess room at the headstock of the three options (2"), but the velcro strap across the fretboard was a nice way to secure the uke into its case.  (Oops not in use in this photo).


These cases can be had for about $75 but to be honest, I would skip them.  I have never owned a Kala case, but lots of people swear by those cases and they just seem to hold up better than these Kamaka ones do.  I had one metal staple in this case that kept cutting into me, and the pleather was peeling in a lot of spots.  I ended up getting rid of mine when I bought the Kamoa case.  I told them to donate it to the next person who couldn't afford a case for their new ukulele -- someone ended up buying it from them for $30 used, which isn't a bad price but it isn't worth much more than that.

In conclusion, I think it is a toss up between the Ameritage and the Kamoa and it all depends on what you want.  If you want a sturdy, hearty case with lots of storage, you can't go wrong with an Ameritage -- and if I ever had to ship my ukulele I would do so only in that case.  If, on the other hand, you want a lightweight, good looking, fashionable case, I love the Kamoa.  That is going to be my go-to case to use on a daily basis, and also when traveling.  For me, it is the best option due to its light weight, comfortable handle and backpack option -- it is like carrying a gig bag but with a lot more protection and style.  As I mentioned above, I hope to get a red one for my Kanilea (or whenever my Kamaka feels like wearing red).  

I hope this helps people that might be in the market for a high end case -- unless you can get a Calton, I think you can't go wrong with the Kamoa or the Ameritage, it just depends on whether you like a sexy, flashy option (Kamoa) or whether you prefer sturdiness and protection (Ameritage) as to which is the case for you.